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The Version I Didn’t Show

As a designer, you’re expected to present options.

Clean variations. Thoughtful explorations. Different directions that show you’ve considered the problem from every angle. Clients and teams want to see choices—it makes the process feel complete.

So naturally, I always prepared multiple versions.

But recently, there was one project where I broke that pattern.

I had three directions.

Two were safe. Familiar layouts, proven styles, things I knew would be accepted with minimal pushback. They looked good, functioned well, and aligned perfectly with expectations.

And then there was the third one.

It was different. Not dramatically unconventional, but enough to feel risky. It simplified things more than usual. Removed elements people typically expect. It relied on space and restraint instead of visual density.

I liked it the most.

Which is exactly why I hesitated.

Because showing it meant opening it up to criticism. Questions. The possibility that it would be misunderstood or dismissed too quickly. And in a room full of stakeholders, safe options tend to win.

So I made a decision.

I didn’t show the other two.

I presented only the risky one.

No comparisons. No alternatives to fall back on. Just a single direction, explained clearly—why it works, what it solves, what it intentionally leaves out.

The room was quiet at first.

That kind of silence that makes you second-guess everything. I could feel the usual questions forming—“Do you have other options?” “Can we see variations?”

But instead, something else happened.

They leaned in.

Without other designs to compare against, the conversation stayed focused. People engaged with the idea itself, not how it stacked up against safer choices. They asked better questions. They tried to understand instead of evaluate quickly.

And they approved it.

That project changed how I approach presenting design.

Sometimes, options create comfort.

But they also create distraction.

When you show multiple versions, people often choose the least risky one—not because it’s better, but because it feels safer.

Now, I still explore widely during the process.

But when it comes to presenting, I ask myself:

“What do I actually believe in?”

Because design isn’t just about solving problems.

It’s about having the confidence to stand behind one solution.

Even if it means not showing the rest.

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